When a plug-in version of something sounds really good, that’s when I’ll use it.”Jeff Coplan, producer/engineer/songwriter and owner of New York - based Subsonic Studios, admits he’s turned into more of an “inboard guy.” “There’s no doubt that I’d prefer to use a good hardware-based EQ over any plug for the pure sound of it,” he says. “When I use something,” he says, “I use it because I really like it. But he does have quite a few favored plug-ins in his arsenal.
#ALTIUM DESIGNER 19.0.6 TORRENT SOFTWARE#
Engineers have various criteria for choosing between hardware and software effects, ranging from value to convenience to, most importantly, sound quality, but even some self-professed analog processing devotees are finding it hard to resist the plug-in temptation.Īs virtual EQs sonically improve, they continue to offer ease of use and flexibility that their outboard ancestors just can’t match.“I’m more of an outboard gear guy, not really a plug-in guy,” prefaces Neal Pogue, the Grammy-winning producer/engineer known for his work with OutKast and, most recently, Stevie Wonder. Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile paragraphic EQ with warm, analog-style sound.ĮQs: We all need them, and most of us have a lot of them - both in our racks and on our computers. Versatile equalizer with extended headroom.
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